Confine In Situ Series
video documentation of site specific artworks, 3:54, 2020
Offload (OJO MX ARTE)
enamel on found/sourced discarded materials in Mexico City, dimensions variable, 2024
Potential
enamel and acrylic, mixed media, dimensions variable, 2021
ill-contained at Pierce College Art Gallery
Offload
Site-specific installation at the Brand Library and Art Center in Glendale, CA in July 2022 for the exhibition “Abstract Los Angeles: Four Generations” curated by Alain Rogier, Laddie John Dill, and Katie Kirk. Pictured with “SNAPSHOT 2”. Photo by Jesus Martinez-Rizo. Press release.
ill-contained / Stephanie Sherwood / Pierce College Art Gallery
Video by LA Art Documents: https://www.laartdocuments.com/post/ill-contained-stephanie-sherwood
Confine In Situ (Three Mattresses)
enamel on found discarded furniture, 115 x 56 x 48 inches, 2020
Above and Below (AltaSea)
site-specific mural on Eco Wave shipping container, 334 x 100 inches, 2023
Confine 3.0 Series
acrylic and ink on cardboard panel, 9 x 12 inches per panel, 2019
Offload (Galleria Rankka)
enamel on borrowed recycled furniture, dimensions variable, 2023
Cornucopia
enamel on paper, 108 x 113 inches, 2014
Studio Visits | Stephanie Sherwood
Alpha Canis Majoris
enamel on wood, painted shopping cart, 40 x 60 x 36 inches, 2017
Confine Origin
enamel on canvas, 36 x 36 inches, 2017
Body Component Series
Installation view, She Loves Art Show at HNYPT LA, 2017
Confine Series
Original series of fourteen paintings on cardboard panel, 2017
Garden
Installation for The Von Restorff Effect at Trunk Gallery, 2016
Wide Body
enamel on paper, 61 x 35 inches, 2015
Still Life (Confine) 7
enamel on canvas, 30 x 40 inches, 2018
Confine In Situ (Produce Display)
enamel on found discarded furniture, 72 x 120 inches, 2019
Snapshot Series
In order of appearance:
“Ascension” enamel and acrylic, mixed media, dimensions variable, 2020
“Potential” enamel and acrylic, mixed media, dimensions variable, 2021
“Ascension II” enamel and acrylic, mixed media, dimensions variable, 2021
Confine Touch B
enamel on canvas, 20 x 30 inches, 2018
Pound of Flesh 12
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Half-Breed
enamel on wood, leather, sinew, 20 x 15 x 16 inches, 2018
Experiential Confine
enamel on canvas, 40 x 40 inches, 2018
Throne
enamel on wood, 20 x 40 x 21 inches, 2018
Meat Market Wings and Gown
Collaborative wearable collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire, 2016. Model: Carrie Rebecca Armellino. Photo by Jesus Martinez-Rizo.
Leg Memory (left) Big Spread (right)
Installation view at Brand 44 Works on Paper at the Brand Library and Art Center, 2016
SNAPSHOT 4
acrylic and enamel on paper, 49.875 x 41.25 inches, 2020, photo by Justin William Galligher
Confine In Situ (Television)
enamel on found discarded furniture, 21 x 27 x 21 inches, 2019
Confine In Situ (Refrigerator)
enamel on found discarded furniture, 30 x 70 x 30, 2019
Confine In Situ (Leather Couch)
enamel on found discarded furniture, 72 x 58 x 38 inches, 2019
Confine In Situ (Sectional Couch)
enamel on found furniture, 2019
Confine In Situ (Armoire + Boxes)
enamel on found discarded furniture, 52 x 84 x 32 inches, 2019
Stephanie Sherwood: Expression In Boundaries
Body Component Series
Installation view of Farm to Table at Brainworks Gallery with Jungmok Sona Lee, 2017
Alpha Canis Majoris
enamel on wood, painted shopping cart, 40 x 60 x 36 inches, 2017
Convulse 2
enamel on vellum mounted on panel, 15 x 19 x 5.5 inches, 2018
Weathering
enamel and acrylic, mixed media, dimensions variable, 2020
Ascension II
enamel and acrylic, mixed media, dimensions variable, 2021
Confine Touch C
enamel on canvas, 30 x 40 inches, 2018
Left: Confine Series, Right: Half-Breed
Installation view of Take Two at the Mike Kelley Gallery in Venice, CA 2018 with Bob Branaman.
Confine 5
ink and acrylic on cardboard panel, 9 x 12 inches, 2017
Take Apart Pink
enamel on canvas, 40 x 30 inches, 2016
Left: The Emperor, Right: Confine Study
Left: enamel on wood, 16 x 12 x 8 inches, 2017 Right: enamel on canvas, 2018
Flesh Study C
oil on canvas, 14 x 11 inches, 2014
Confine 4.0 Series
ink and acrylic on cardboard panel, series of four, 10.25 x 15 inches each, 2019
Confine 3.0 Series
Installation view of In Around and Through at Studio Baustelle in Berlin, Germany, 2019. With Annsofie Jonsson, Sarah Godfrey and Sean Cully.
Still Life (Confine) 2
enamel on canvas, 30 x 24 inches, 2018
Monument to a Cut
enamel on canvas, 48 x 60 inches, 2016
Still Life (Confine) 5
enamel on canvas, 2018
Meat Market Wings
Meat Market wearable collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire, 2016. Photo by Jesus Martinez-Rizo
Still Life (Confine) 8
enamel on panel, 11 x 14 inches, 2018
Confine Original Series
Installation view of Forum 1 at the Torrance Art Musuem, 2018
Convulse 3
enamel on vellum mounted on board, 14 x 16 x 5 inches, 2018
Trophy
enamel on wood, 24 x 20 x 32, 2017
Convulse 1
enamel on vellum mounted on board, 16 x 19 x 2 inches, 2018
Meat Market Dress
Meat Market wearable collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire, 2016. Photo by Jesus Martinez-Rizo.
Confine In Situ (Chair)
enamel on found discarded furniture, 30 x 40 x 34 inches, 2019
Convulse 4
enamel on vellum mounted to panel, 38.5 x 46.5 x 11 inches, 2018
Loose Parts 3
painted and collaged corrugated cardboard, 12 x 9 inches, 2019
Off the Plate
enamel on canvas, diptych, 46 x 30 inches, 2016
Meat Market Dress, Fan and Hat
Meat Market collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire, 2016. Model: Katie Shanks. Photo by Jesus Martinez-Rizo.
Confine and Convulse
film by Eric Minh Swenson
Confine In Situ (Bed Frame)
enamel on found discarded furniture, 62 x 50 inches, 2019
Confine In Situ (Television Amalgamation)
enamel on found discarded furniture, 110 x 48 x 46 inches, 2019
Confine In Situ (Dressers)
enamel on found discarded furniture and bottles, 62 x 48 inches, 2019
Ascension (Studio View)
enamel and acrylic, mixed media, dimensions variable, 2020
Confine In Situ (Couch + Fridge)
enamel on found discarded furniture, 68 x 134 x 50 inches, 2020, photo by Jesus Martinez-Rizo
Pound of Flesh 1
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Meat Market Separates
Meat Market collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire, 2016. Model: Stephanie Sherwood. Photo by Jesus Martinez-Rizo.
Confine Cropped
enamel on canvas, 20 x 24 inches, 2018
Spy
enamel on corrugated cardboard, 32 x 14 x 12 inches, 2016
Left: Confine Origin, Right: Original Confine Series
Installation shot of SKIN & bone[s] at LA Artcore with Katie Shanks, 2018
Confine Study
Installation view at Take Two at the Mike Kelley Gallery at Beyond Baroque, 2018
Flesh Study A
oil on canvas, 14 x 11 inches, 2014
Pound of Flesh 6
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Confine 7
ink and acrylic on cardboard panel, 9 x 12 inches, 2017
Loose Parts 4
painted and collaged corrugated cardboard, 10 x 6 inches, 2019
Front: The Emperor, Back: Confine Touch C
Promotional studio shot, 2018
Pound of Flesh 14
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Confine 2.2
ink and acrylic on cardboard panel, 9 x 12 inches, 2018
Red Leg
enamel on paper, 36 x 40 inches, 2015
Confine In Situ (Mattress)
enamel on found furniture, 53 x 75 inches, 2019
Meat Market Gown and Wings
Meat Market collection by Stephanie Sherwood and Katie Shanks, 2016-ongoing. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire. Model: Carrie Rebecca Armellino. Photo by Jesus Martinez-Rizo.
Still Life (Confine) 4
enamel on canvas, 15.75 x 11.75 inches, 2018
Pound of Flesh 9
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2019
Still Life (Confine) 3
enamel on canvas, 20 x 20 inches, 2018
Fish and Leg
enamel on canvas, 24 x 36 inches, 2015
Above: The Emperor, Below: Mr. Sensible
Studio image, 2018
Pound of Flesh 11
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Confine 9
ink and acrylic on cardboard panel, 9 x 12 inches, 2017
Podium
detail, enamel on wood, 2018
Meat Market Crop-top
Meat Market collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire. Photo by Jesus Martinez-Rizo.
Flesh Study B
oil on canvas, 14 x 11 inches, 2014
Confine In Situ (Mattress + Side Table)
enamel on found discarded furniture, 75 x 53 x 46 inches, 2019
Still Life (Confine) 9
enamel on canvas, 24 x 30 inches, 2019
Blossum
enamel on canvas, 30 x 24 inches, 2016
Monument to a Cut
installation shot, LTAC: NOW, LTAC Studio with Shea Vititow and Brad Bernhardt, 2016
Reconvene
enamel on canvas, 24 x 30 inches, 2016
Meat Market Wings (detail)
Meat Market collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire. Photo by Jesus Martinez-Rizo.
Confine 12
ink and acrylic on cardboard panel, 9 x 12 inches, 2017
Big Spread
enamel on paper, 94 x 71 inches, 2016
Confine 2.6
ink and acrylic on cardboard panel, 9 x 12 inches, 2018
Meat Market Skirt
Meat Market collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire. Photo by Jesus Martinez-Rizo.
Canis Majoris
enamel on wood, 2017
Still Life (Confine) 6
enamel on canvas, 11 x 14 inches, 2018
Earth Confine A
ink and enamel on canvas, 10 x 8 inches, 2018
Pound of Flesh 15
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Confine 3.0 Series
acrylic and ink on cardboard panel, 9 x 12 inches per panel, 2019
Trophy
enamel on wood, 24 x 20 x 22 inches, 2017
Pound of Flesh 8
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Confine 3
ink and acrylic on cardboard panel, 9 x 12 inches, 2017
In Tupperware
enamel on paper, 36 x 50 inches, 2015
Meat Market Collection
Collaborative wearable artwork by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire. Photo by Jesus Martinez-Rizo. Models left to right: Carrie Rebecca Armallino, Stephanie Sherwood and Katie Shanks.
Confine 2.3
ink and acrylic on cardboard panel, 9 x 12 inches, 2018
Shard
enamel on wood, 2017
Pound of Flesh 13
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Confine 6
ink and acrylic on cardboard panel, 9 x 12 inches, 2017
Pound of Flesh 3
Collaboration with Katie Shanks, acrylic, fiber, thread, ribbon, tape, woodcut print, 2018
Meat Market Gown
Meat Market collection by Stephanie Sherwood and Katie Shanks. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire. Photo by Jesus Martinez-Rizo. Model: Carrie Rebecca Armellino.
Off the Plate (detail)
enamel on canvas, diptych, 46 x 30 inches, 2016
Meat Market Straightjacket
Meat Market collection by Stephanie Sherwood and Katie Shanks. Meat Market: On the Cutting Board debuted at Highways Performance Space in January 2019. Materials: Fiber, paint, tape, thread, plastic coat.
Confine 3.0 Series
Installation view of In Around and Through at Studio Baustelle in Berlin, Germany, 2019. With Carly Chubak.
Half-Breed
Installation view of Offal at the Los Angeles Municipal Art Gallery. With Elisa Ortega Montilla.
Meat Market Mask
Meat Market collection by Stephanie Sherwood and Katie Shanks. Meat Market: On the Cutting Board debuted at Highways Performance Space in January 2019. Materials: Paint, rubber mask.
Confine Touch C
enamel on canvas, 30 x 40 inches, 2018
Meat Market Bow
Meat Market collection by Stephanie Sherwood and Katie Shanks. Meat Market: On the Cutting Board debuted at Highways Performance Space in January 2019. Materials: Paint, tape, fiber, thread.
Convulse 3
Installation view of Her Horizon at Gallery ALSO, 2018. With Jacqueline Secor.
Confine 8
ink and enamel on cardboard panel, 9 x 12 inches, 2017
Meat Market Covered Dress
Meat Market collection by Stephanie Sherwood and Katie Shanks. Meat Market: On the Cutting Board debuted at Highways Performance Space in January 2019. Materials: Painted dress.
Convulse 2
Installation view of Behaving Differently at Plank Gallery Seattle. With Lydia Jean Goldbeck.
Confine In Situ (Refrigerator)
enamel on found furniture, 30 x 70 x 30 inches, 2019
Tough Tender
enamel on paper, 94 x 71 inches, 2016
Meat Market Wings (detail)
Meat Market collection by Stephanie Sherwood and Katie Shanks, 2016-ongoing. Materials: tape, plastic, ribbon, string, paint, thread, buttons, fabric, feathers, lights, mesh, trim, wire. Photo by Jesus Martinez-Rizo.
Canis Majoris
enamel on wood, 2017
Confine In Situ (Dresser & Vanity)
enamel on found discarded furniture, 62 x 40 inches, 2019
Half-Breed
installation view at Offal at the Los Angeles Municipal Art Gallery, 2019. With gloria galvez.
Confine In Situ (Refridgerator)
enamel on found discarded furniture, 50 x 70 x 55 inches, 2019
SNAPSHOT 5
acrylic and enamel on paper, 49.875 x 41.25 inches, 2020, photo by Justin William Galligher
SNAPSHOT 3
acrylic and enamel on paper, 49.875 x 41.25 inches, 2020, photo by Justin William Galligher
SNAPSHOT 1
acrylic and enamel on paper, 49.875 x 41.25 inches, 2020, photo by Justin William Galligher
SNAPSHOT 10
acrylic and enamel on paper, 49.875 x 41.25 inches, 2020, photo by Justin William Galligher
SNAPSHOT 7
acrylic and enamel on paper, 49.875 x 41.25 inches, 2020, photo by Justin William Galligher
SNAPSHOT 9
acrylic and enamel on paper, 49.875 x 41.25 inches, 2020, photo by Justin William Galligher
Offload (Galleria Rankka)
enamel on borrowed recycled furniture, dimensions variable, 2023
Ascension II
enamel and acrylic, mixed media, dimensions variable, 2021
Potential (detail)
enamel and acrylic, mixed media, dimensions variable, 2021
Offload
Site-specific installation at the Brand Library and Art Center in Glendale, CA in July 2022 for the exhibition “Abstract Los Angeles: Four Generations” curated by Alain Rogier, Laddie John Dill, and Katie Kirk. Pictured with “SNAPSHOT 2”. Photo by Jesus Martinez-Rizo. Press release.
SNAPSHOT 12
enamel on discarded box spring, 79 x 59.5 x 7.5 inches, 2022
The Same Thread
enamel on found discarded furniture, dimensions variable, 2022
Ascension III
mixed media installation, dimensions variable, 2021
The Same Thread (Noel Madrid)
enamel on found discarded furniture and vehicle parts, dimensions variable, 2023
left to right: Remnant (Dresser), Remnant (Display Case)
This series explores elements of street pieces which were then altered into separate studio works.
Offload (Division 9 Gallery)
enamel and acrylic on found discarded furniture, dimensions variable, 2024
The Same Thread (Justino Loza Gomez)
enamel and acrylic on inherited subversive t-shirts, 2024